Wednesday, 20 March 2013

Tuesday, 19 March 2013

  • Cost/Benefit Analysis in Paradise

    I like atheism.

    I have a lot of reasons for this,

    Such as not feeling particularly soulfilled

    Even when trying singing soulful

    On swinging steps, hands that clap and

    Fists that clench and shake enthuse;

    Or the electrochemical insight,

    That sweet citric and battery acids,

    Behind the hands and swings and shouts

    The knowledge of the circles and nets

    And ununcouplable couplings that built

    Our moving feet out of the dirt ground.

     

    One such reason is my imagined economist

    A sliver of myself and a devil's advocate

    That runs a cold counter-current creek

    Through all of my comfortable spring fields.

    I'm listening to music about the big reward

    Or about sex that feels like the big reward

    And he says to me, we can't even imagine it.

    What would our heaven be? What could ever

    Be so happy, so serene, that we could not corrupt it,

    That we might not see in it some quick silver glimmer,

    A threat, or some dark running, waiting in the shade

    To pull us to shreds of skin and panic and regret?

    "What could ever satisfy you, you monster?" He asks,

    "What could ever please me to peace and silence?"

     

    I try to conjure it for him several times.

    "A lover," I answer shyly, "A lover to lie with

    In the white late morning sun

    With absolutely nowhere need to run

    With translucent angelcloth curtains

    That drift easy in the breeze."

    He asks me then, "And who is this?

    Is it that one long lost, his first night home?

    How could you ever know it's his home?

    Would it be the real one?

    Would any of them be?

    And surely it could never be T

    Because he has one love somewhere else.

    And you have one splintered glass

    Filled with hot blood spilled

    On several different unfortunate souls."

     

    I blink at him in the stripes of sun.

    "Maybe in heaven, assuming there's a heaven,

    I could have all of them. Maybe in heaven

    I am my own supreme tailor

    And I can have one true love in his best place today

    And another in most suiting on another fine day."

    He sighs and smiles condescendingly, and

    Shakes his metaphysical head.

    "And what is the glory then? It sounds to me

    Like your heaven, then, is a fancy place for cheats

    And steals and greeds and thieves.

    How much would it hurt to pull

    The slivers of that broken cup

    Away from each other even further, a repulsion

    From their spiky self-sames, your affections divided,

    Between so many folk that you say you love.

    How much would it hurt to twist so slowly

    Those long-living blades one more turn?

    And besides. That still leaves them impostors

    Possibly."

     

    "Does it matter?" I ask him angrily, "Does it matter?"

    He grins a slow and crooked razor.

    "Does it?"

     

    So this afternoon I learned

    I at least can't believe in Heaven

    It's not like I wouldn't go to Hell anyway

    And it's not like I've never been.

Saturday, 16 March 2013

  • On the High Sixteenth

    He conducts like a man possessed with a devil

    He is on his toes, on the balls of his feet, on his toes, and rolling back swiftly again.

    His baton swings like the axe and following, stabs like the dagger

    And flies through the air like the mercurial arrow

    It never leaves his hand.

    His hair is exactly as alive as his body

    His body is a live wire coiled into a spring

    His mouth is never still, no serious line;

    Instead it makes the o's of oh, order and the e's of ee, ecstasy!

    His eyes hardly move, and it is hard to tell

    If the energy has pressed them shut as fists

    Or peeled them and steeled them opened up

    Over pearl white and ink black.

    His arms spread as wings of ospreys in stately sweaters too commonplace

    That he might fly off into the heavens on the air from his clarinets-players

    Or float on the tidal waves of his violinists' wild rockings in the audiosea

    The finale.

     

     

     

     

    (Observations on Gustavo Dudamel, made in 2013 of footage from 2009.)

Wednesday, 31 October 2012

  • Wall Folk

    I was walking home on All Hallow's Eve

    When that honest Toly says to me

    "Sometimes I wish I smoked cigarettes, you know?

    It's like slow suicide for us cowards and ghosts

    And the smell keeps you warm when the fire burns low

    And you don't live guessing your COD.

    Not usually.

    And how can you be alone if you smoke?

    Like friends that only show up when you're broke

    I'm broken, fix me.

    I'm broken, don't touch me.

     

    So sometimes I wish I had the ashes to show

    Boots made for sidewalk-smashing the glow

    Of an emb'ring paper end old enough to go

    An experiment with a chemical meant to set me free

    Just to see.

    And how can your hands shake if you smoke?

    Artist elegantly like your nerves weren't a joke

    Like your emotions were real like the spokes on the wheel

    Help me, I can feel."